|
How to Spot a Good Photograph
- Sharp, clearly focused image (at least the subject)
- Full range of tones from the whitest white to the blackest black
- Attention drawn to the main subject of the photograph
- Clear, distinct center of interest or emphasis without distractions
- True, vibrant colors
- Definite subject or theme
- Good finish quality.
What makes a good album?
- A Sequence of images which tells the story of the day and makes sense
- Good photographic quality throughout
- Logical flow from one image to the next
- Consistent color and quality throughout
- Solid mechanical feel and workmanship
- Good protection and alignment of photographs.
Possible Situations for Wedding Photography
- Informal environmental pictures
- Formal bridal portrait in gown, taken in advance - for newspaper, etc.
- Wedding couple's portrait session in advance
- Rehearsal dinner
- Getting ready at home
- Pre-ceremony preparations at ceremony site
- Pre-ceremony portraits on wedding day or different day
- Ceremony (no flash) with processional, etc.
- Formal groupings after the ceremony
- Reception activities, plus informal groupings of families and guests
- Next-morning brunch, if held.
Dominant Styles of Wedding Photography
Portrait-based and photojournalism (candid). The former depends on use of a studio
setup, or portrait session at some location where lighting and posing are carefully
controlled. It is someone more invasive and demanding, but provides the elegant results
some couples prefer.
Candid photography demands alertness and preparation of the photographer to capture the
natural, spontaneous images of the day. Most do take a short time for formal group
pictures, but the majority are done without prompting or commands. To take advantage of
this style, expect to have a large number of pictures in your album. It is the choice for
reality with least intrusion and a natural touch.
The Cost of Wedding Photography
Some bridal consultants say 10-20% of the overall budget. But due to the tremendous
number of variables involved, you should really try to answer that question for yourself.
First, list your requirements and expectations. Ask yourself, "How much should I
spend to get what I want, based on my needs and the logistics of my event?" Look at
some examples to get an idea of price vs. quality. Note your preference for style and
manner of working. If you are considering economizing here ask yourself, "How much
would I pay (after the fact) to correct things if my photographer fails?" The most
important thing to realize is that your photography and video are the only tangible
wedding-related purchases that are strictly for your benefit and hopefully will provide
benefits years after the wedding.
Photography vs. Video
Video and photography are different media. Watching a video is different from going
through your album. Most couples who get video have no regrets, while those who skipped it
regret not getting a good video. Sometimes couples get video and a limited photography
plan. They depend on video to capture the sound and motion of the day and photography
primarily for portraits and groups.
Disposable Cameras for the Guests
The single-use cameras with built-in flash are good for the 5-7 foot range. They work
best for guests taking snapshots of other guests. When these cameras are distributed,
typically one or two get inadvertently carried off by guests, and of those remaining, only
about 40-50% of the shots are printable. While these cameras may provide a means for some
unusual or funny shots, they ARE NOT a substitute for professional coverage.
|