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GENERAL WEDDING PHOTOGRAPHY INFORMATION

 

How to Spot a Good Photograph

  • Sharp, clearly focused image (at least the subject)
  • Full range of tones from the whitest white to the blackest black
  • Attention drawn to the main subject of the photograph
  • Clear, distinct center of interest or emphasis without distractions
  • True, vibrant colors
  • Definite subject or theme
  • Good finish quality.

What makes a good album?

  • A Sequence of images which tells the story of the day and makes sense
  • Good photographic quality throughout
  • Logical flow from one image to the next
  • Consistent color and quality throughout
  • Solid mechanical feel and workmanship
  • Good protection and alignment of photographs.

Possible Situations for Wedding Photography

  • Informal environmental pictures
  • Formal bridal portrait in gown, taken in advance - for newspaper, etc.
  • Wedding couple's portrait session in advance
  • Rehearsal dinner
  • Getting ready at home
  • Pre-ceremony preparations at ceremony site
  • Pre-ceremony portraits on wedding day or different day
  • Ceremony (no flash) with processional, etc.
  • Formal groupings after the ceremony
  • Reception activities, plus informal groupings of families and guests
  • Next-morning brunch, if held.

Dominant Styles of Wedding Photography

Portrait-based and photojournalism (candid). The former depends on use of a studio setup, or portrait session at some location where lighting and posing are carefully controlled. It is someone more invasive and demanding, but provides the elegant results some couples prefer.

Candid photography demands alertness and preparation of the photographer to capture the natural, spontaneous images of the day. Most do take a short time for formal group pictures, but the majority are done without prompting or commands. To take advantage of this style, expect to have a large number of pictures in your album. It is the choice for reality with least intrusion and a natural touch.

The Cost of Wedding Photography

Some bridal consultants say 10-20% of the overall budget. But due to the tremendous number of variables involved, you should really try to answer that question for yourself. First, list your requirements and expectations. Ask yourself, "How much should I spend to get what I want, based on my needs and the logistics of my event?" Look at some examples to get an idea of price vs. quality. Note your preference for style and manner of working. If you are considering economizing here ask yourself, "How much would I pay (after the fact) to correct things if my photographer fails?" The most important thing to realize is that your photography and video are the only tangible wedding-related purchases that are strictly for your benefit and hopefully will provide benefits years after the wedding.

Photography vs. Video

Video and photography are different media. Watching a video is different from going through your album. Most couples who get video have no regrets, while those who skipped it regret not getting a good video. Sometimes couples get video and a limited photography plan. They depend on video to capture the sound and motion of the day and photography primarily for portraits and groups.

Disposable Cameras for the Guests

The single-use cameras with built-in flash are good for the 5-7 foot range. They work best for guests taking snapshots of other guests. When these cameras are distributed, typically one or two get inadvertently carried off by guests, and of those remaining, only about 40-50% of the shots are printable. While these cameras may provide a means for some unusual or funny shots, they ARE NOT a substitute for professional coverage.

 

*References:

- Mark Goldberg’s Wedding Photography and Video FAQ’s, by Mark Goldberg.

 

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